form follows behavior

Mapping seems to float between two poles—symbolism and realism, or abstraction and dimensionality—as the attempt is made to either (with increasing accuracy) simulate a landscape or environment, or interpret it as a sign or composite of signs. At first glance, the former could be considered the predominant direction—technology leading the way in the gradual displacement of the latter. However, not only are both vectors alive and well: realism has been an ongoing pursuit in mapping as long as symbolism, and symbolism is equally seeing a new resurgence due to technological developments.

Read the rest of this entry >

Branded communities are an emerging phenomenon. Certainly, the term “branded community” is increasing in popularity. Yet—and this should not come as a surprise—brand has always been an important factor in regard to communities, and not only new communities. In this context, brand is a platform for creating and communicating a sense of place; it is the stated or perceived identity of a community. Branded communities, in their attempt to formalize sense of place, are not only the latest chapter in the ongoing narrative of the ideal or utopian city; they are also the outcome of a changing relationship between identity and community.

Read the rest of this entry >

In Celluloid Skyline, James Sanders explores the New York of the movies, and how its portrayal in film influences not only our perception of the city, but ultimately the shape of the city itself. I am interested in this reciprocal relationship, in particular the way in which an idea can influence a physical construct, as it manifests itself in actual, observable patterns.

Read the rest of this entry >

The approval of the controversial Atlantic Yards development has renewed my interest in political and economic boundaries. At a pivotal point in Brooklyn, this project will dramatically transform the character of the area by drawing new business and creating economic growth. The development promises to create a sense of place from an urban void—the yards, which are inaccessible to the public, and currently separate four communities.

Read the rest of this entry >

The world around us is defined by seams. Seams exist in transitional areas as spaces (however small) between objects, where objects lie directly adjacent to one another. Seams can reveal how objects and materials relate to their context. Looking closer at these transitional moments may give insight into intent: whether integration or contrast, attention to detail or the larger concept.

Read the rest of this entry >