Websites are the predominant platform for most of the information we absorb. Of course, the site itself isn’t always the primary vehicle, with RSS having established itself as an alternate form of consumption, and search engines offering a similar yet broader form of aggregation. This has lead to two main content experiences. In one mode, content is presented in context of the full offering, as part of a structural framework reflecting the identity of the source. In the other, content is represented generically and modularly alongside content from other sources.
December 16th, 2009
Design and the decentralization of web content
November 11th, 2008
Mapping—symbolism or realism?
Mapping seems to float between two poles—symbolism and realism, or abstraction and dimensionality—as the attempt is made to either (with increasing accuracy) simulate a landscape or environment, or interpret it as a sign or composite of signs. At first glance, the former could be considered the predominant direction—technology leading the way in the gradual displacement of the latter. However, not only are both vectors alive and well: realism has been an ongoing pursuit in mapping as long as symbolism, and symbolism is equally seeing a new resurgence due to technological developments.
June 25th, 2008
Collecting as art
Lately I have become interested in artists for whom collecting is central to their process. Dealing with taxonomies and systems of classification, their work is, at least in part, a critique of the activities of museums and collecting institutions or individuals. Fundamentally, these artists are exploring notions of identity through quantitative assessment. Here, identity is expressed through an ontology—a system of objects, representing a particular and unique perspective. A collection seeks to establish a framework by which to formalize, structure and express its content. Through their work, these artists critique that framework at different levels—relating to individual identity, the role of the institution, or society at large.
December 9th, 2006
From deconstruction to narrative
With a personal working methodology primarily concerned with deconstruction, I am finding myself increasingly interested in narratives which may arise from reconstructing or reinterpreting semantic fragments.
My process typically begins with an existing semantic structure, which I deconstruct by classifying its syntactic and grammatical components. When presented outside their original context, these components convey new meaning through the way in which they are rearranged; new semantic patterns may emerge with each new logical arrangement. read the rest of this entry