Driving at 70 miles per hour, the landscape dissolves into colors and concepts. Impressions coalesce into ideas, particles into patterns. It may seem like a paradox, but the faster we go, the clearer we can see. At high speeds, we can tune out the noise and see the forest for the trees. Our focus is on the destination.

At 30 miles per hour, the landscape resolves into discrete objects. We can now make out individual trees, buildings, the faces of drivers and pedestrians. Below 15 miles per hour, finally, we start to perceive a sense of place. We can make out the details of the objects around us, including their textures and physical properties. Any destination seems far more distant now.

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The generic and the essential

I am currently interested in the tension between two polarities, the generic and the essential. Both concepts are about a search for meaning, one through generalization, the other through specificity. Both are reductionist. And, both are critical forces in the creative process.

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